Rockefeller III, Philip Johnson, Leontyne Price-that it’s a wonder they could all fit on the Upper West Side. You can’t just study people from the outside or you’ll never understand their lives. Third, instead of flying, they get around by waddling or slipping around on their bellies. That’s when my editor said, You’re going to have start going to parties with them. Second, penguins are birds that can’t fly (so perplexing). It’s full of egos so big- divas, operatic and otherwise, like city planner Robert Moses, John D. Penguins always look formal because of their black and white coloring, similar to a tuxedo. But even for those who don’t give a fig for the endless debate over whether Maria Callas was the greatest Carmen, the history of the Met Opera house is a compelling story. It’s a documentary, by Susan Froemke-an editor of the legendary 1975 Grey Gardens-about the Met Opera as edifice, as cultural factory, as a force for social endorsement and upheaval. On May 25, PBS’s Great Performances television program, better known for filming and presenting what happens onstage at the Met, this time delves into the story of the building itself. You know you are in New York, you know you are at Lincoln Center, and you know something wondrous is about to happen. In the Metropolitan Opera auditorium, just before the performance begins, the many star-shaped crystal chandeliers, shimmering like constellations, soar up to the ceiling together.
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